Mixing pigments with different materials such as plaster, grindings, polymers and paper creates a thicker surface. In it, I intuitively apply more or less recognizable forms as a reflection of the fragility and imperfection of everyday life. By making the process visible, not only the final product, but also the process of making becomes part of my work.
Observation can sometimes be superficial and fleeting without conscious analysis. But one can also immediately feel its atmosphere, character or energy without first translating that experience into words or concepts.To get closer to the essence of my abstract work, I use gestures and symbols that, in their imperfection, speak my language. A language that acquires meaning through the participation of the viewer. Besides form, I find the emotional impact of color important not only to see but also to feel.
Art for me is a form of communication, I invite others to discover their own interpretation and feelings. With this, I want to emphasize the idea of how significant art can be in connecting people through shared or unique experiences, even without words.
